CHEDWORTH ROMAN VILLA – an unusual commission.

CHEDWORTH ROMAN VILLA – an unusual commission.

When a letter came through my door last Autumn inviting me to consider painting a wall in one of the most important Roman Villas in the country I was somewhat taken aback. What did I know about Roman Wall Painting? A major transformation project has been carried out at the Chedworth Roman Villa by the National Trust during the winter and as a part of the refurbishments a purpose built educational facility has been added on behind the café area. This will be known as the ‘Salway’ room and will provide schools and community groups with a dedicated and inspiring area in which to explore Roman life and culture at the Villa. It is having a recreation of a Roman Kitchen at one end, and an ‘eye-mat’ is being fitted on the floor digitally recreating some of the mosaics from the dining-room. That just leaves the walls and that’s where I came in. It was with some trepidation that I agreed to meet up with eminent Roman historian Professor Peter Salway and Dr. Rupert Goulding (National Trust curator at the Sherborne Park Estate), both consultants to the improvements on the site, along with Jane Lewis, the learning officer at the Villa. I had already bought a wonderful book I’d found on the internet ‘The Splendor of Roman Wall Painting’ by Umberto Pappalardo so I had done some homework, but the meeting was a steep learning curve. However they were all very encouraging and the exchange of ideas was stimulating, not to say a bit mind-boggling! I knew at this point that I had my work cut out. Examples of...
A Painting of St.Michaels, Duntisbourne Rouse

A Painting of St.Michaels, Duntisbourne Rouse

Last Friday was the most beautiful warm and sunny Spring day so I packed up my paints to seek pastures new, and do some painting ‘en plein air’. I had not been down the Duntisbourne valley before (just west of Cirencester) but with daffodils lining the lanes it was the place to be ‘far from the madding crowd’. With mixed results I sat and daubed, but in the afternoon came across this obscure spot, not even signposted from the road. It is a tiny Saxon church with a ‘saddle back’ roof on the tower – it is a bit crooked, it’s not just my painting! It was the most peaceful spot in which to sit and paint, in the shade of an old ivy-clad wall. The valley dropped away to a babbling brook far below, and when the shadows had lengthened too far for me to follow, I found myself reluctant to return once again to the world. It is well-known that many churches built on sacred pagan sites were dedicated to St. Michael (who legend has it fought with the angels against the devil). I wonder if this were the case here? St Michael’s Church, Duntisbourne Rouse – An Original Watercolour...
Springtime at Arlington Row, Bibury

Springtime at Arlington Row, Bibury

Wishful thinking whilst we’re still in February, but I just painted this one for the cover of my ‘Cotswolds in Watercolour 2012’ Calendar, which needs to be printed soon, to be in the shops by Easter. I’ve painted this view a number of times before, but each time it comes out differently. I had to leave room in sky for the title! Doesn’t it make you long for those days when you can laze on the warm grass in the sunshine, having a nap on the picnic...
Sketch of the Week

Sketch of the Week

Old folk sitting on a bench in Cirencester today! I took a surreptitious photo but was spotted by the old chap with glasses. The two ladies on the right were having a good old chat while waiting for the bus. And why not? I painted this first just with a brush, and then drew the outlines afterwards. Makes the thing slightly chaotic, but I like the freshness it...
St. Andrew’s Church Chedworth

St. Andrew’s Church Chedworth

At last a sunny day that is warm enough to lure me out into the open air with my paints! I don’t mind a bit of outdoor sketching with a pencil when it’s freezing cold in the winter, but sitting on a painting stool for a couple of hours trying to abstract my mind is almost impossible when hypothermia starts to set in. I wandered lonely as a cloud, floating on high o’er vales and hills, but then stopped the car at Chedworth as the Church in the morning sunlight caught my eye. The Cotswolds are rather brown and grey at the beginning of March, even when it’s sunny, but the churchyard with its grass, and yew trees looked warm and inviting, so I decided to look no further, and set up camp with my paintbox. It’s quite a complicated architectural subject, but the advantage of painting on the spot is there is no time to fuss with unnecessary detail. In the studio I would have made far more of it, but I rather like it as it is! ……………Summer is on the...
Summer’s Morning in Northleach

Summer’s Morning in Northleach

Monday April 19th…. Summer’s morning at Northleach – a watercolour painting by Chris Fothergill This is surely the finest view in Northleach, showing the southern aspect of the Church which its magnificent porch and windows. The setting from the top of the ‘Vicar’s Field’ with sheep grazing in the morning light add to the composition. I have of course painted this view many times over the last 20 years, but this time we have the cool light of a Cotswold early summer’s morning. The sky is making no promises for the day, so we enjoy the moment. I think I may make some limited edition prints of this painting. Watch this space for more...